Archive for the ‘Teen/Middle Grade Fiction’ Category

re: Will U.S. Editors Buy U.K. Manuscripts?

posted 11/21/17

Dear Editor:

I live in the UK and have written YA mystery. As for the market to pitch it to, I’ve assumed that I wouldn’t be able to sell it in the States. I have this idea—I’m not even entirely sure where I got it from—that it’s even harder for European writers to get their books picked up in the States than it is in the UK. However, you are the expert so if you think that’s not the case and I’d stand a chance, I would very interested in your insights, as impending Brexit has everyone here concerned about what’s going to happen with the British publishing market.

Thank you,
Bundt Boss

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re: Choosing When to Chuck a Joke

posted 5/16/17

Dear Editor…

I’m seeking confirmation. If a joke/gag doesn’t advance the plot/story, is it best to chuck it? As I revise my middle grade fantasy manuscript, that’s what I’m inclined to do, especially if the gag/joke, while possibly funny enough, stalls the advancement of the story. Got to keep things moving, right?

Sincerely,
The Jokester

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re: Can a Teen Novel with Traditional Values Sell?

posted 3/8/17

Dear Editor…

How does the marketplace view YA stories that portray traditional moral values?  For example, no sex outside of marriage, etc.

Thank you,
M.

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re: Page Time for Adult Villains in YA Fiction?

posted 12/8/16

Dear Editor…

Here’s a problem I’d like your advice on. I understand wanting to keep my YA novel from a younger perspective, but my villains are adults. I hate flat villains so I wanted to give some back story. How much time do I spend on the adult antagonist?

Thank you,
Oldies But Baddies

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re: Which Swear Words are Allowed in YA Lit?

posted 7/19/16

Dear Editor…

I’m writing a YA novel. Quick question: How are words like screw, damn, cr*p, and sh*t looked upon? (Though I think I know the answer to the last one!)

Thanks,
Weighing My Words

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Guest Editor Carter Higgins: How to Tackle a Big Revision

posted 4/18/16

Dear Editor…

From a practical (logistical) standpoint, do you have any advice for how to tackle a large revision of a manuscript I haven’t read in over a year? I’ve just had it professionally edited. I’m thinking I’ll read through those edits, then print out the manuscript and read the whole thing. And make changes as I go? Or read it through once and then go through again and make changes? Or read it electronically and then make changes and then print it out? I just can’t decide quite how to approach it.

Sincerely,
J.

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re: Any Hope for Serious Middle Grade Fiction?

posted 11/2/15

Dear Editor…

My critique group is concerned my contemporary middle grade story might be too earnest/serious for the MG market, and they are wondering if I should do some work on sprinkling in more funny moments to break it up. Note: They haven’t read the whole manuscript at one time yet. Do you have a comment on that?

Sincerely,
Too Serious?

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re: Do Middle Graders Like Corny Metaphors?

posted 10/14/15

Dear Editor…

An editor recommended I read a book that would be a competitor to my middle grade adventure WIP. The book was engrossing enough to keep me entertained, but I think a lot of the metaphors were rather corny. Here’s a made-up one as an example: “His words were as hard as stale pizza.” In some cases, the author actually has two or three of these metaphors on a page and I found it distracting. I do note that the book is supposed to be playful as well as adventurous. My question: Is it okay to have metaphors like that for 10- to 12-year-olds? It seems corny to me, but then I am 63 years old, not 10.

Sincerely,
Young at Heart

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re: Writing a Romantic Scene for a Novel That’s Not Romance

posted 8/19/15

Dear Editor…

I need your help! I’m writing a book, and I don’t know how to incorporate a romance scene without making the whole book a romance. It’s a YA Novel, and I don’t want to ruin the book.

Sincerely,
H.

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re: Confused About Diversity

posted 6/9/15

Dear Editor…

I heard a panel at a recent conference say I had to be of a particular race to write about it, but at the same conference a different panel said I don’t have to be of a particular race to have those characters. I happen to have characters from three different countries in my middle grade fantasy WIP. Now I’m confused and questioning my WIP. Help?

Sincerely,
Confused About Diversity

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