Archive for the ‘Point of View’ Category

re: Is Your Internal Dialogue Telling You Something?

posted 10/10/11

Dear Editor…

I’m writing a young adult novel in first person that alternates between the 2 main characters’ POV. I’m getting conflicting advice from critiquers about the use of internal dialogue—those not very into YA fiction say I have too much; those accustomed to YA fiction don’t comment on the internal thoughts OR say I need more! Is it a genre thing?

Sincerely,
Beth

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re: What’s the Trick to Pitching a Dual POV Story?

posted 9/6/11

Dear Editor…

I’m wondering the best way to craft a query letter for my new manuscript. It’s told in the 3rd person and there are 2 POVs. It’s also a fantasy novel and the 1st book in a 3-book series. How should I handle this??

Thanks,
Jennifer

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re: Should I Italicize Internal Dialogue in Close Third Person?

posted 8/15/11

Dear Editor…

In close third person, what are the best ways to handle internal dialog? Italics, “she thought” tags, or just let the reader figure it out?

Sincerely,
Stephanie

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re: Integrating the POV and Narrative

posted 11/15/10

Dear Editor…

Please explain this comment from an agent on my midgrade historical fiction ms told in first person: “your POV and narrative are not integrated enough.”

Thank you,

Carrie

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re: Pitching a Dual POV Novel

posted 10/26/10

Dear Editor…

I’m working on my logline/elevator pitch. I have been told that it should be one sentence, and no more than 17 words. What about dual POV stories? While they do end up together, they also have their own story arcs.  Do I pick 1 for my pitch or is 2 lines—one for each—okay?

Sincerely,

Rachel

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re: Can She Think in 3rd Person?

posted 5/15/10

Dear Editor… I recently read in a self-editing book (fiction for adults) that when writing in 3rd person, the main character’s thoughts can also be written in 3rd person. Is this true for mg/ya or does it depend on the story? Sincerely, Sue

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re: When the Limits of 1st Person POV Are TOO Limiting

posted 4/22/10

Dear Editor…

I’m working on the second book in a series of three. The first book naturally flowed in first person and so I went with it, but the second is more challenging as the plot calls for scenes that take place away from the protagonist.  I tried using a narrative voice, but that just feels wrong.  Any suggestions?

Sincerely,

Elizabeth

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