Archive for the ‘Point of View’ Category

re: What’s the Beef with Third Person Objective POV?

posted 7/25/13

Dear Editor…

I’ve always liked the idea of writing in 3rd person objective, which never describes characters’ thought or feeling in favor of a cinematic feel. I’m planning to use it for my multiple-quest YA, but considering I’ve never seen a YA novel written in this POV, and that it’s not mentioned in your Writing Young Adult Fiction For Dummies, I wonder if it’s generally despised by readers/agents/editors.

Thanks for your thoughts on this,
Harry

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re: Refer to Parents by Name in Third Person POV?

posted 7/17/12

Dear Editor…

I’ve decided to revise a manuscript, changing it from first person to third person. When I’m in a section from Luke’s p.o.v. do I only refer to his father (Richard) as “Luke’s father” or “his father?” Or can I refer to the father as Richard? Normally, a child doesn’t refer to their father by first name.

Thanks,
Margo

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re: Which POV Is Best for Fiction Starring Talking Animals?

posted 5/9/12

Dear Editor…

Main charac & plot w/talking animals. Secondary: humans. 1st or 3rd ltd?

Trudy

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re: Girl Writes Boy . . . Bad Idea?

posted 1/3/12

Dear Editor…

I write both non-fiction picture books and boy-centric middle grade novels. I publish the non-fiction under my full name, but should I consider using initials for the novels, since I’m not the same gender as the MC? Will it matter to the reader?

Thank you for your thoughts on this!
Alison

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re: Are Subplots Off-Limits in 1st Person POV?

posted 12/20/11

Dear Editor…

I was reading that subplots are told in the secondary character’s point of view. How do you manage this in a 1st person point of view novel? Can you still have subplots even though you have to see all the action through the main character’s eyes?

Thanks,
Linda

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Re: Is 3rd Person POV Dead in MG Fiction?

posted 11/15/11

Dear Editor…

Many editors say they are looking for MG novels with a strong voice. So many examples they cite are in first person. Is there still room for 3rd person narration? Would you differentiate the strengths and weaknesses of both.

Sincerely,
Sondra

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re: Writing YA Historical Fiction with a Reflective Adult Narrator

posted 11/2/11

Dear Editor…

I am in a quandary about a historical novel I’ve started. I want to show how one woman was captured by the Shawnee, rescued, and married her rescuer. But I also want to show how another woman has a burden for her brother and the fate of her tribe at that time. Ultimately I imagine the women meeting again 20 years later. I feel there are 2 ways of life to show. Is it best to write about them from an older age looking back or to take them from youth when one was captured at 14 and the other was about 20? I am old (75) and wonder if I will be able to capture their young voices and feelings.

—Jane

 

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re: Is Your Internal Dialogue Telling You Something?

posted 10/10/11

Dear Editor…

I’m writing a young adult novel in first person that alternates between the 2 main characters’ POV. I’m getting conflicting advice from critiquers about the use of internal dialogue—those not very into YA fiction say I have too much; those accustomed to YA fiction don’t comment on the internal thoughts OR say I need more! Is it a genre thing?

Sincerely,
Beth

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re: Should I Italicize Internal Dialogue in Close Third Person?

posted 8/15/11

Dear Editor…

In close third person, what are the best ways to handle internal dialog? Italics, “she thought” tags, or just let the reader figure it out?

Sincerely,
Stephanie

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re: Integrating the POV and Narrative

posted 11/15/10

Dear Editor…

Please explain this comment from an agent on my midgrade historical fiction ms told in first person: “your POV and narrative are not integrated enough.”

Thank you,

Carrie

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